Poem #640: Interpretation :: essays research papers

I can non live with YouIt would be livelinessAnd Life is over there__Behind the ShelfThe Sexton keeps the Key toPutting upOur invigorationHis PorcelainLike a CupDiscarded of the Housewife unusualor BrokeA newer Sevres pleasesOld Ones crackI could not diewith YouFor One must waitTo shut the Others Gaze downYoucould notAnd ICould I stand byAnd see YoufreezeWithout my Right of FrostDeaths privilege?Nor could I risewith YouBecause Your FaceWould put out JesusThat reinvigorated GraceGlow plainand foreignOn my homesick pithExcept that You than HeShone closer byTheyd judge UsHowFor Youserved HeavenYou know,Or sought toI could notBecause You saturated gageAnd I had no to a greater extent EyesFor sordid excellenceAs ParadiseAnd were You lost, I would beThough My NameRang loudest On the heavenly fameAnd were YousavedAnd Icondemned to beWhere You were notThat selfwere Hell to MeSo We must meet apartYou thereIhereWith exactly the Door ajarThat Oceans areand PrayerAnd that White Sustenan ce discouragement"I cannot live with You", by Emily Dickinson, is an emotional poem in which she shares her experiences and thoughts on finis and love. Some critics believe that she has written about her struggle with death and her desire to have a relationship with a man whose duty was ministerial, Reverend Charles Wadsworth. She considers suicide as an option for relieving the pain she endures, but decides against it. The narrator, more than likely Emily herself, realizes that death will leave her even further extraneous from the one that she loves. There is a possibility that they will never be together again. "Arguing with herself, Dickinson considers three major resolutions for the frustrations she is seeking to define and to resolve. distributively of these resolutions is expressed in negative form living wither her lover, decease with him, and discovering a world beyond nature. Building on this series of negations, Dickinson advances a catalogue of reasons for her covenant with despair, which are both final and insufficient. Throughout, she excoriates the social and spectral authorities that impede her union, but she remains emotionally unconvinced that she has mighty identified her antagonists." (Pollack, 182)Dickinson begins her poem by saying that she cannot live with her lover because their life together is an object that can only be opened with a key. The Sexton, or perform officer in charge of the maintenance of church property, keeps the key. The reverends involvement with God and with a woman at the same time is like a porcelain cup that is easily broken. This is an model of Personification.