Degeneration of Kurtz, Colonialism, and Imperialism in Heart of Darknes

devolvement of Kurtz and Colonialism in face of immorality Kurtz was a personal embodiment, a dramatization, of in all that Conrad felt of futility, degradation, and horror in what the Europeans in the Congo called progress, which meant the developing of the natives by every variety of cruelty and treachery known to close man. Kurtz was to Marlow, get into this country, a name, constantly recurring in peoples talk, for cleverness and enterprise. Joseph Conrads amount of m iodiney of Darkness is a portrait of the degeneracy of the precedent of Kurtz symbolizing the degeneration of the ideal of colonialism as civilizing work. The fading of the idealist mirage of civilizing work in Africa has to be one of the telephone exchange themes of nub of Darkness. This theme forms the background of the whole story, from beginning to end, beforehand the component part of Kurtz is even introduced. The focus of sprightliness of Darkness is non on the fill effect of the colonial presence on the native population, unless on the reflected effect on the colonial occupiers. Centrally, the whole story creation told right off is the effect on Marlow of his colonial adventure. Marlow here reflects or represents his westward ideologic origins coming to terms with the reality of the Congo. It was not merely the economic dealings of commodity exchange which so often in the colonies, it was the reputability of fellowship it was the very identity of the occupying force and it was the emptiness of the western colonial legend of individualism. The degeneration of Kurtz is thus inseparable from the other degeneration. Marlow, on his return to civilization, learns from Kurtzs full cousin that he was a universal genius (Conrad 71). What ... ...ause the heart of humanity does not fraud in the individual, it lies outside, in society, in language, in active troth with a human world. Kurtz was more capable than anyone else of conquering th e world, but the world, and the savagery, conquered him. deeds Cited Adelman, Gary. Heart of Darkness Search for the Unconscious. Boston Little & Brown, 1987. Bradley, Candice. Africa and Africans in Conrads Heart of Darkness. (24 Jan. 1996). Online Internet. 3 October 1998. Available http//www.lawrence.edu/johnson/heart. Conrad, Joseph. Heart of Darkness. Ed. Robert Kimbrough. 17th ed. New York Norton, 1988. Rosmarin, Adena. Darkening the endorser endorser Response Criticism and Heart of Darkness. Joseph Conrad Heart of Darkness A pillowcase Study in Contemporary Criticism. Ed. Ross C. Murfin. New York St. Martins, 1989. Degeneration of Kurtz, Colonialism, and Imperialism in Heart of DarknesDegeneration of Kurtz and Colonialism in Heart of Darkness Kurtz was a personal embodiment, a dramatization, of all that Conrad felt of futility, degradation, and horror in what the Europeans in the Congo called progress, which meant the exploitation of the nat ives by every variety of cruelty and treachery known to greedy man. Kurtz was to Marlow, penetrating this country, a name, constantly recurring in peoples talk, for cleverness and enterprise. Joseph Conrads Heart of Darkness is a portrait of the degeneration of the ideal of Kurtz symbolizing the degeneration of the ideal of colonialism as civilizing work. The fading of the idealist mirage of civilizing work in Africa has to be one of the central themes of Heart of Darkness. This theme forms the background of the whole story, from beginning to end, before the character of Kurtz is even introduced. The focus of Heart of Darkness is not on the direct effect of the colonial presence on the native population, but on the reflected effect on the colonial occupiers. Centrally, the whole story being told directly is the effect on Marlow of his colonial adventure. Marlow here reflects or represents his Western ideological origins coming to terms with the reality of the Congo. I t was not merely the economic relations of commodity exchange which so often in the colonies, it was the respectability of society it was the very identity of the occupying force and it was the emptiness of the western colonial myth of individualism. The degeneration of Kurtz is thus inseparable from the other degeneration. Marlow, on his return to civilization, learns from Kurtzs cousin that he was a universal genius (Conrad 71). What ... ...ause the heart of humanity does not lie in the individual, it lies outside, in society, in language, in active engagement with a human world. Kurtz was more capable than anyone else of conquering the world, but the world, and the savagery, conquered him. Works Cited Adelman, Gary. Heart of Darkness Search for the Unconscious. Boston Little & Brown, 1987. Bradley, Candice. Africa and Africans in Conrads Heart of Darkness. (24 Jan. 1996). Online Internet. 3 October 1998. Available http//www.lawrence.edu/johnson/heart. Conrad, Jos eph. Heart of Darkness. Ed. Robert Kimbrough. 17th ed. New York Norton, 1988. Rosmarin, Adena. Darkening the Reader Reader Response Criticism and Heart of Darkness. Joseph Conrad Heart of Darkness A Case Study in Contemporary Criticism. Ed. Ross C. Murfin. New York St. Martins, 1989.